Posted: 02/25/2006

 

Outrage

(1973)

by Barry Meyer



One of those “based on a true story” ’70s TV movie flicks


Film Monthly Home
Archives
Wayne Case
Interviews
Steve Anderson
The Rant
Short Takes (Archived)
Small Screen Monthly
Behind the Scenes
New on DVD
The Indies
Horror
Film Noir
Coming Soon
Now Playing
Television
Books on Film
What's Hot at the Movies This Week
Interviews TV

By the time 70s television had gotten a hold of the “scare film” they’d brought it full circle from propagandized civic “lessons” to exploitative social studies. What was once a tool used to scare the crap outta the masses and keep them in step with the idealized suburban image (especially during War time and throughout the burgeoning era of the middle class) the scare film had now evolved into something more of an over exaggerated social lesson rather than a social rule.

In Outrage, chisel-chested Robert Culp plays an upper middle class family man who is just trying to give his family a safe and easy lifestyle in the hills of California. When a gang of local punks start wrecking havoc with the neighborhood, Culp tries to take the civil high road and implores the parents of the kids to keep them in line. Naturally the mothers only see their children as angels, and the fathers chalk it all up to boys being boys. When the authorities are called in to help, Culp finds that their hands are tied by the usual bureaucratic red tape. But when the punk’s shenanigans turn violent, and the lives of his family are threatened, Culp has to take action himself, turning into a one-man vigilante.

Culp just can’t go wrong doing his usual charming-guy macho act as he takes on TVs original Spider Man, Nicholas Hammond as the head rich-boy punk. There’s a lot of generational gap “those kids these days” attitude in 70s television, as well. But these made-for-TV lessons became a lot less conservative than their “duck and cover” predecessors. In the hands of the more liberal-minded Hollywood producers, subjects like the teenage delinquent became more humanized. They weren’t just troublemakers who needed to be whipped into submissiveness by their dutiful parents. No, in the made-for-TV land of movies, the kids were merely the end result of a community that had failed them. Maybe the kid’s parents didn’t love them enough, or maybe their teacher didn’t listen to them, or maybe it was peer pressure and all that brain-rotting rock music… or maybe they just needed a good old fashioned ass kicking from the likes of Robert Culp.

Check out adifferentcity.com to find more of these fantastically kitschy 70s TV movies.

Barry Meyer is a film critic on the East Coast.



Got a problem? E-mail us at filmmonthly@gmail.com