Posted: 11/28/2009



by Paul Fischer

Film Monthly Home
Wayne Case
Steve Anderson
The Rant
Short Takes (Archived)
Small Screen Monthly
Behind the Scenes
New on DVD
The Indies
Film Noir
Coming Soon
Now Playing
Books on Film
What's Hot at the Movies This Week
Interviews TV

Scottish actor and film maker Pet4r Capaldi is best known for his performance playing the political spin doctor, Malcolm Tucker, in the BBC sitcom The Thick of It, reprised, in the film In the Loop based on The Thick of It. Capaldi was nominated for the BAFTA and RTS best comedy actor award in 2006.

Capaldi was born in Glasgow, Scotland. He was educated in Glasgow at St Teresa’s R C Primary School in Glasgow’s Possilpark[citation needed], St Ninian’s High School in Kirkintilloch[ and the Glasgow School of Art. While at high school Capaldi was a member of the Antonine Players theatre group that performed at the Fort Theatre, Bishopbriggs. During his time at art school Capaldi was the lead singer for a punk rock band, “Dreamboys” (which included Craig Ferguson as its drummer). Capaldi also attended St. Matthew’s Primary School in Bishopbriggs. He had already demonstrated a talent for performance in primary school, where he was responsible for the production of, inter alia, a puppet show. He is currently a celebrity patron of the Association for International Cancer Research and Aberlour Child Care Trust, the Scottish children’s charity and currently lives in Crouch End with his wife, Elaine Collins, and their daughter. Capaldi, in a recent interview with Jonathan Ross on BBC Radio 2, stated that he is from an ‘Old Labour background’; however, in his work, he tries to avoid conveying his own political opinion.

As an actor he has appeared in over forty films and television programmes since his breakthrough role as Danny Oldsen in Local Hero (1983), including a lead role in Ken Russell’s The Lair of the White Worm (1988) and Stephen Frears’ Dangerous Liaisons (also 1988). He also starred as Ozzy in a 1985 episode of Minder, where he assisted Arthur Daley in the sales of dodgy car phones which caused other radio technology to malfunction, titled Life in the Fast Food Lane. He is also known as an audio book narrator having read many books including several of the works of Iain Banks. He then starred as Rory in the TV version of Banks’ The Crow Road.
In 1995 he won an Oscar Best Live Action Short Film and a BAFTA for Franz Kafka’s It’s a Wonderful Life. He also wrote Soft Top, Hard Shoulder (winner of the audience award at the London Film Festival) and wrote and directed Strictly Sinatra.
He also played Chief Petty Officer Grieves in the BBC Radio Ministry of Defence Comedy Our Brave Boys.
He has appeared as fictional Songs of Praise producer Tristan Campbell in two episodes of the sitcom Vicar of Dibley and as a transvestite in ITV’s Prime Suspect 3. He has also made an appearance in the hit sitcom Peep Show as a university professor, starred in Aftersun with Sarah Parish, and as a primary character suspect in the 2007 series of Waking the Dead. In the Neil Gaiman gothic fantasy Neverwhere he portrayed the Angel Islington.
In 2007 Capaldi appeared as Mark Jenkins in the teen comedy/drama Skins where he returned for a second series in 2008 only to be killed off in the 3rd episode, and as characters in the Midsomer Murders episode “Death in Chorus” and ITV1’s Fallen Angel. He also appeared in the British Comedy film Magicians and played a fictional version of Caecilius in “The Fires of Pompeii”, a 2008 episode of the science-fiction series Doctor Who. He returned to the Doctor Who franchise in 2009, playing civil servant John Frobisher in the third series of Torchwood. and also appeared as King Charles I in the Channel 4 series The Devil’s Whore, screened in 2008.
He directed the 2009 BBC Four sitcom Getting On (written by and starring Jo Brand, Joanna Scanlan and Vicki Pepperdine), also appearing as a doctor in one episode. Later that same year he wrote and presented A Portrait of Scotland, documentary about the 500 years history of Scottish portrait painting.

Capaldi recently travelled to Los Angeles to promote the political satire In the Loop and talked to PAUL FISCHER in this exclusive interview.

QUESTION: Let me ask you – obviously, was it the character, or the idea of doing a political satire like this that appealed to you?

PETER CAPALDI: Well, it’s something more complicated than that, in the sense that the film really comes from a television show called The Thick Of It, in which I play that character, called Malcolm Tucker. So, it really was a question of, Amanda wanted to do a movie on a large scale, and did I want to play that character on the big screen? And the answer, of course, was, “Yes.” I was very happy that it was also a political satire. Because I think it’s a very – you know, it’s a comedy of a very high caliber, that talks about something truthful, and slightly dangerous, which makes it all the funnier.

QUESTION: Was Malcolm as colorful a character on the small screen as he appeared on the big screen?

PETER CAPALDI: Was he as colorful a character? Yeah, but the big difference is, I guess when you’re doing a TV show, at the end of each episode, you have to wrap it up, so that you can come back next week. So, the things that tend to happen are not the big life-changing, world-shattering events. With this, what happened was, this was probably the biggest thing that ever happened to him in his life and he was also taken out of his comfort zone.Usually he’s the most powerful person in the room, by taking him to Washington and confronting him with these American hawks, he was up against guys who were tougher than he was. So, that was very challenging, and very exciting to play.

QUESTION: Did you have to reinterpret Malcolm in any particular way, or add different layers to him, for the movie version of this?

PETER CAPALDI: Yeah. I decided I wanted to take him on a journey, which wasn’t necessarily in the script. I wanted to break him, in some way. I didn’t quite know when that would be, but I felt that it was important that he should have a point where he wasn’t able to handle it any more. So, I had to kind of think very carefully about how that should happen.

QUESTION: Now, this film is as much about language as it is about character. I’m just wondering how much input did you have into the way that he speaks? I mean – and his use of language. Was there any improv at all, or was it all there on the page?

PETER CAPALDI: It’s largely all done on the page, particularly with Malcolm, because the writers take a lot of time and put a lot of labor into constructing for him, very, very baroque sentences, and ways of speaking. So, my job is to sort of do a congean check, to make it look as if this highly-polished text is just tripping off my tongue. So – yes, there’s always a gray area. We throw in bits and pieces. How we do the show, or how we did the film, which is the same way we do the show, is that we nail the text. That’s our first responsibility. We shoot a couple of passes where we nail the text. And thereafter, we’re allowed to do sort of rougher versions, where we can loosen up and throw in our own words, if we like. And also, throughout the process, we have days when we improvise around the material. And sometimes a line or whatever comes up that works, and the writers put that into the shooting script. But I wouldn’t – you know, I would say it’s their work, largely.

QUESTION: Even though there are very specific British elements to the film, and particularly in the way it explores the British Parliamentary system, and references to British Parliament, and terms that are used in British Parliament, how do you think it’ll go in the States? I mean, how do you think Americans are going to react to this?

PETER CAPALDI: Well, I think they quite like it, those who’ve seen it, because I don’t think it really needs that information. It’s all vaguely the same, isn’t it? They’re all democracies. And – you know, the elected members are responsible, ultimately, to the public. And so they’re always trying to make sure how they present themselves is to the public’s liking. So, I don’t think that’s an issue. I think the Americans are really quite taken to it. I don’t know quite why. I don’t know whether it’s because it’s like a kind of screwball comedy. It’s a rather rare thing, now, in which the script is truly highly developed, and truly very, very witty. I mean, you have to see this film three or four times to hear all the gags.

QUESTION: Now is Malcolm about to be put to bed? Is this the last we’ll see of him, or are you going to continue working with him again, in some other form or other, or return him to television?

PETER CAPALDI: Well, we just did a new season this year of the TV show called The Thick of It and it started going out about four weeks ago, in Britain. And it’s moved. So it used to be on a digital channel, but it’s now on BBC2. So, it’s gotten very much bigger in the United Kingdom to the extent now, what people stop me in the street and ask me to tell them to fuck off. [LAUGHTER] And sometimes I mean it. But, a lot of stuff happens in this season which is quite dramatic, so, Malcolm may be there, he may not.

QUESTION: Does the new series follow on from any of the experiences in the movie, or is it a stand-alone series?

PETER CAPALDI: It’s a stand-alone. I mean, we don’t make reference to the events, although they obviously happened.

QUESTION: What about your career as an actor? How hard is it for you to escape this character, and to find characters that are very much apart from Malcolm?

PETER CAPALDI: Well, in a sense, I don’t want to escape, because it’s sort of been the other way around for me. I mean I’ve been acting for 25 years and my career’s been very healthy. But in fact, I was tending to play slightly duller characters, slightly more reliable. Certainly not incendiary, toxic creatures like Malcolm, so when he came along – it’s only about four years ago – this was a change for me, and opened many doors to other types of characters. So, I don’t know. He’s really kick-started my career, you know? Or, re-kick-started it, through his energy and aggression. So, if people see me in that light, it kind of is bringing me more interesting parts. There’s something more interesting about that to casting people, for some reason.

QUESTION: Do you have anything else lined up after this? I mean, what’s going on next for you?

PETER CAPALDI: It looks like I may be directing.

QUESTION: A play, or a film?

PETER CAPALDI: There’s a possibility – I did a little TV series with – well, three episodes, miniseries called Getting On, which was featuring a UK comedian, a lady called Jo Brand, which did very well. So I think the possibility is, I might do some of that. There are a lot of things flying around. I’ve got to settle on something shortly, but I’m hoping there’ll be – there are some interesting acting opportunities. particularly here in America. I’ve got to make up my mind soon, but I’m not there yet.

QUESTION: Playing Americans, or playing a Scot?


Paul Fischer is originally from Australia. Now he is an interviewer and film critic living in Hollywood.

Got a problem? E-mail us at