24th Annual African Diaspora International Film Festival

| November 24, 2016

The African Diaspora International Film Festival is back for its 24th edition from November 25 to December 11, with a total of 66 films from 30 countries including 34 US and New York premieres. Screenings will be held in three venues in Manhattan: Teachers College, Columbia University, Cinepolis Chelsea Cinemas and MIST Harlem.

Non-fiction films cover a variety of topics in ADIFF NY 2016: Leading the selection is Zeinabu Irene Davis’ Spirits of Rebellion: Black Cinema From UCLA. The film tells the story of one of the most dynamic groups of black filmmakers in America and their aim of changing the narrative of black films in this country.  Spirits of Rebellion is ADIFF 2016 Closing Night film.

Senegal is the destination of the documentaries in the Senegal Connection Program, fundamentally addressing the issue of connection among people with a common origin but little mutual understanding. The two films in the program are rooted in a very strong Pan-African spirit. In Youssou N’Dour: Return To Goree by Pierre-Yves Borgeaud, we witness the musical and historical journey in which the Senegalese griot/singer Youssou N’Dour embarks to pay homage to the creativity and resilience of Africans in the Diaspora. In Walk All Night: A Drum Beat Journey by Mallory Sohmer and Kate Benzschawel, we follow a trip that an African Social Worker and an African-American dance teacher organize four bucket “bucket boyz” players from Chicago’s South Side to be able to visit Dakar and be exposed to Senegalese music and culture.

Another African singer, Fatoumata Diawara, is one of the main performers in Mali Blues by Lutz Gregor a TIFF DOC official selection to have a sneak preview screening in ADIFF This musical documentary follows her in her journey to the Niger Festival in her native Mali where she performs with several other Malian artists who are using their art to fight against Islamic extremists in the region.

Cuba is once again a popular topic of conversation. However, the essence of the Cuban people is still missing in many of the visual work to which we are exposed. The documentary Ghost Town to Havana by Eugene Corr uses baseball as a metaphor to explain how the American and Cuban societies treat their children. The film speaks about Cuba and its population without presenting the frequent clichés of music and happy people.

Another Cuban documentary will have its NY Premiere in ADIFF. Gloria Rolando has an extensive body of work on the African experience in Cuba. In Dialog With My Grandmother, the filmmaker enters in a rich conversation with her grandmother who talks about Cuba, many years before the Cuban Revolution of 1959. Enriched with music and archival footage, Dialog With My Grandmother is one of those films that transport the viewer to a time when race and class relations in Cuba were marked by severe racial discrimination, open racism and violence against African descendants.

Also set in the Caribbean part of the Americas, Death By A Thousand Cuts by Jake Kheel and Juan Mejia Botero describes the tense situation in the Haitian-Dominican border. This time, the murder of a Park Ranger is the context that demonstrates the corruption, violence and tense situation between two communities that share the same land.

ADIFF 2014 documentary, Tango Negro: The African Roots of Tango by Dom Pedro, eloquently talks about the African roots of Tango and the African presence in Argentina and Uruguay. Gurumbe: Afro-Andalusian Memories by M. Angel Rosales is about Flamenco, the African presence in Spain and Portugal and the state of affairs of race relations in Spain. Well documented with a great intellectual rigor, the film goes into areas of Spanish culture seldom covered in Spanish films.

Black Mexicans have been denied recognition for quite some time. The 2015 Intercensus Estimate was the first time in which Afro-Mexicans could identify themselves as such. However, the debate continues, as the ambiguous terminology of Afro-descendants is now the preferred label rather than “Black,” which is controversial.

The film Invisible Roots: Afro-Mexicans in Southern California by Tiffany Walton narrates the life of the black Mexicans of Southern California. This is not an easy film to watch, as we see and hear these men and women narrate the stories of their lives in a very narrow minded environment where most of the people seem not to understand the fact that people of African descent have roots in all countries in the Americas.

The Black Australia program will focus on the work of Darlene Johnson, an Australian Aboriginal filmmaker, whose impressive work is focused on the Australian Aboriginal experience. Topics in the films selected include the exploration of Australia’s colonial past including the history of the stolen Australian Aboriginal children and the life and work of David Gullipilil, a very important Australian Aboriginal actor whose talent is displayed in several of the films in the program.

The troubles and tribulations of Black aspiring ballerinas is the content of the film Black Ballerina by Frances McElroy, a very rich work of historic footage, interviews and reflection on the conditions of race relations and art in the United States of America. “Diversity in the dance world is a necessity,” writes John Soltes of the Hollywood Soapbox. “Black Ballerina is an important documentary that asks important questions about this traditional and beloved art form.”

Edythe Boone is a very dynamic community artist who is portrayed in A New Color: The Art of Being Edythe Boone by Marlene “Mo” Morris, a rich documentary that shows the vibrancy of this artist who is 78 years young.

Other important documentaries in ADIFF 2016 are:

Nana/Nanny by Tatiana Fernandez Geara, a film about Dominican women who take care of children of wealthy families as they leave their children back home; Maria Bethania: Music Is Perfume by Georges Gachot, a nice reminder of the depth and range of Brazilian music through the portrait of Maria Bethania, as one of its remarkable performers. Seeking Asylum by Darnell Lamont is about a group of African-American millennials who decide to apply for asylum in Europe seeking to escape the American system. A Ferguson Story is a film by Lonnie Edwards who describes police brutality in America.

The African Diaspora International Film Festival is a 501(c)(3) not for profit organization.

The 24th Annual New York African Diaspora International Film Festival is made possible thanks to the support of the following institutions and individuals: ArtMattan Productions; the Office of the Vice President for Diversity and Community Affairs, Teachers College, Columbia University; the New York City Council in the Arts; L’International Organization Of La Francophonie New York; New York City Council Member Inez E. Dickens; the French Cultural Services; The Guadeloupe Islands Tourist Board; The Délégation générale du Québec à New York; The Australian Consulate-General, New York; TV5 Monde; The Urban Movie Chanel (UMC); WBAI and public funds from the New York State Council on the Arts, a state agency.  ADIFF is a proud member of the Harlem Arts Alliance.

About the Author:

Elaine Hegwood Bowen, M.S.J., is an editor, writer and film critic in Chicago. She is the author of "Old School Adventures from Englewood--South Side of Chicago" and the proud parent of "the smart rapper"--chemist-turned-rapper, turned humanitarian...Psalm One!
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