Author Archive: Ruben Rosario

is a graduate from Columbia College Chicago with a degree in Audio for Visual Media. He works as a freelance location sound mixer, boom operator, sound designer, and writer in his native Chicago. He's an avid collector of films, comics, and anime.

rss feed

True Detective: Season One Review

True Detective: Season One Review

| June 9, 2014 | 0 Comments

From its original commercial teasers, highlighting its main cast, to garnering the talent behind Sin Nombre and 2011′s Jane Eyre, was more then enough to be excited for HBO’s True Detective. Once it began airing on TV, after the first episode, people knew that this was something special, making True Detective an instant classic, that […]

×
Space Battleship Yamato

Space Battleship Yamato

| June 3, 2014 | 0 Comments

Getting into major legacies in any form of media can be quite daunting, whether its a long running TV show or a classic film franchise. As an anime fan, there have been plenty of times where I’ve wanted to get into shows like Gundam or Gatchaman, but there becomes this issue with where does one […]

×
Robotics;Notes Pt. 2 Review

Robotics;Notes Pt. 2 Review

| June 3, 2014 | 0 Comments

For its few faults, Robotics;Notes Pt. 2 presents the one thing that I care most about in anime, besides the awesome animation, character development. The second half of the latest Science Adventure series is absolutely worth anyone’s time, due to the fantastic characters contained within. After the major cliffhanger from the previous volume, where the […]

×
X-Men: Days of Future Past Review

X-Men: Days of Future Past Review

| May 25, 2014 | 0 Comments

Bryan Singer’s X-Men: Days of Future Past is an apology to all of the X-Men fans for pretty much all of the previous entries in the franchise. While there are still countless inaccuracies, in comparison to the comics, there are enough engaging action sequences, entertaining story lines and a fantastic cast that make this latest […]

×
A Touch of Sin

A Touch of Sin

| April 10, 2014 | 0 Comments

As a person that has grown up watching tons of Japanese cult cinema, pre-Hays code Hollywood films and a plethora of other cinema genres, cinematic violence is nothing new to me. Not that I’ve become desensitized, but I find that cinematic violence can be a liberating form of expression for a filmmaker. Jia Zhangke has […]

×
Nurse 3-D

Nurse 3-D

| April 9, 2014 | 0 Comments

From the very moment that the teaser posters were revealed for Douglas Aarniokoski’s Nurse 3-D, it should have been known that the film was to be something special. Due to its risque appeal and in your face attitude, the marketing campaign knew what they had in their hands and made it a point to begin […]

Captain America: The Winter Soldier

Captain America: The Winter Soldier

| April 6, 2014 | 0 Comments

For better or worse, the Marvel Cinematic Universe has changed the landscape of the superhero genre and has done things unlike any other film series in cinematic history. Where things began with the first Iron Man film in 2008, culminated into a epic comic book extravaganza in 2012′s The Avengers. Now, two years after The […]

×
47 Ronin

47 Ronin

| April 1, 2014 | 0 Comments

Universal Pictures’ rendition of 47 Ronin is quite possibly the most beautiful, hollow and poorly written film in the history of cinema. One of the most famous tales of revenge in the world, has been turned into Hollywood fodder, in which this dutiful tale is reduced to fluff. The film stars Keanu Reeves as Kai, […]

Beyond Outrage

Beyond Outrage

| March 25, 2014 | 0 Comments

When Takeshi Kitano released the first Outrage film, I was left pretty unsatisfied. While the film had some great elements to it, including its cast and setting, the film had plenty of plot points that were either entirely unnecessary or just plain boring. When I found out that there was to be a sequel to […]

×
Swerve

Swerve

| March 18, 2014 | 0 Comments

Within the first five minutes of Craig Lahiff’s Swerve, not a single word is uttered and yet we’ve been introduced to many of the main players and their utmost desires. Its one of the single greatest rules of cinema, the notion of showing the audience, but not telling them directly, in order to create both […]