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Posted: 01/02/08
Persepolis (2007) by Hank Yuloff |
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I am not certain if the story told in Persepolis would have been as effective if it had been shot in live action compared to the animation that directors Vincent Paronnaud and Marjane Strapi used to tell the story of Strapi's childhood and early adulthood. I mention animation because this story was originally a series of graphic novels (published 2000 - 2003) which follows Straphi's life up to the age of 24 when her parents sent her away from Iran for the last time to live in France. In the last decade several movies have made the jump from graphic novels (or comic books) to live action to mixed reception. Men in Black was great and the Spiderman series has been very financially successful and Sin City was graphically incredible while others have fallen short. Persepolis remains in "ink" and is done in the style of the novels.
Those junior and senior high school years can be difficult and isolating for someone in a foreign culture. As Marji (as she is known) goes through puberty we see in an amazing girl's eye sequence as she grows into womanhood. Her first two boyfriends turn into major disappointments. One is gay, and she catches the other in bed with another girl. Being away from family structure, those misfiring relationships leave her so depressed that she becomes homeless and through abuse and illness almost dies. She travels back to Iran during a time when the moneyed classes live a secretive life - hiding alcohol, parties, and all things decadently Western. Marji begins to attend college, where she is not the most "get along, go along" kind of woman which constantly puts her in a position of defiance. She meets a man named Reza and marries him but feels quickly that at 21, she has made a terrible mistake. Big surprise, huh? What would YOUR life have been like if YOU were married at 21? Her grandmother dismisses the relationship by saying, "The first marriage is just practice." The story ends in 1994 with the previously mentioned last trip from Tehran to Paris.
As I watched the blending of religious and political points of view, I could not help wondering what would happen if that happened in our country. What would happen, if say, someone who did not believe in Evolution, or science, except when it suited them, took control of our government hiding behind, say, Christianity. It immediately focused the importance of this film. Hank Yuloff is a film reviewer living in Los Angeles.
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